2024: Volume 2, Number 1,

Articles

• THE SOCIAL SIGNIFICANCE OF SATIRE IN YORUBA THEATRE IN THE WORKS OF HUBERT OGUNDE AND FEMI OSOFISAN

  Tamunoiyowuna A. Jaja PhD, Abinye Titus-Green PhD

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• STYLISTIC DEVICES IN UMAR ABUBAKAR SIDI'S THE POET OF DUST

  Ebenezer Oluseun Ogungbe, Abdullahi Umar Evuti

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• Syntactic Mapping of the Sublayers of the CP Domain in English and Izọn

  Doutimiye Agunza, Odingowei M. Kwokwo

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• IMPLICATURES OF PROTEST ON ENVIRONMENTAL DEGRADATION OF THE NIGER DELTA IN NNIMMO BASSEY'S POETRY

  Goodluck Chinenye Kadiri, Anita Erhuvwu Maledo

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• FROM MINSTRELSY TO SKITS: A HISTORICAL OVERVIEW OF NIGERIAN STAND-UP COMEDY

  Aghogho Agbamu

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• CROSS-DIATOPIC INTELLIGIBILITY OF ASPECTS OF SNE LEXICOSEMANTICS

  Emmanuel Ogheneakpobor Emama

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• THE INTERPLAY BETWEEN COLONIALISM AND MODERNITY IN WOLE SOYINKA'S DEATH AND THE KING'S HORSEMAN AND NGUGI WA THIONG'O & NGUGI WA MIRI'S I WILL MARRY WHEN I WANT

  Ozioma Ezeleagbo Ejechi

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• A CRITICAL STYLISTIC STUDY OF SEGUN ADEKOYA'S UNDER THE BRIDGE

  Moses O. Ayeomoni, Ayomiitan E. Bankole

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• CODE MIXING AND CODE SWITCHING IN THE POPULAR MUSIC OF ARUBE OTOR OF ISOKO

  Ejiro Rita Enisire

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• CULTURAL IDENTITY AND ECOLOGICAL ACTIVISM IN TANURE OJAIDE'S THE QUESTIONER AND SONGS OF MYSELF

  Aishatu, Abdulsalam

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